The word IKEA
does not have a tradition definition. It is the name of a retail home products
company that designs, produces, and sells furniture and housewares. The name IKEA is composed of the initials of the
company's founder, Ingvar Kamprad, as well as the first letters
of his family's farm, Elmtaryd, and
the village of Agunnaryd, in which
he was born.
Ingvar Kamprad founded IKEA in 1943 when he was 17 years old. It was the final
manifestation of a business he had developed when he was a young boy, selling
matches on his bicycle. Ingvar gradually introduced new products to his inventory,
which he sold at reduced prices. By 1948, IKEA
began to sell furniture produced by local craftsmen, and published their first
catalogue in 1951. Continuing to grow, Ingvar opened his first IKEA
store in 1958 in Almhult, and began collaborating with designer Gillis
Lundgren.[1] Over
time, the IKEA franchise expanded
into a global enterprise, and it now has 332 stores in 38 countries[2], having generated $23.5 billion dollars in
revenue in 2010.
The history of IKEA,
which originates with this humble image of a young boy selling matches, is an
integral part of the company's brand image. It characterizes the core values
that IKEA was founded on - humility,
thrift and economy, family, and low prices. These values are the foundation of IKEA's brand identity and marketing
image; the definition of IKEA that
its owners want to produce. Ingvar himself is known to perpetuate these values.
He is known for flying economy class, recycling tea bags, and collecting
packets of salt and pepper from restaurants.[3] Ingvar
Kamprad, although incredibly wealthy, still exhibits the characteristics that
made IKEA a success.
As a marketing heavyweight, IKEA relies on a language system invented to enforce its brand
identity. In its literate form, the IKEA language is a repurposing of Scandinavian
common names and places. Every item is given a unique single word name according
to a special naming system. For instance, all bookcases are named after
occupations, bathroom articles are given the names of Scandinavian bodies of
water, chairs and desks have men's names, and fabrics and curtains have women's
names. This system effectively produces items with quirky, memorable, and
identifiably Swedish names (although it occasionally have an unfortunate
result, such as the jerker desk and the
fartfull workbench[4]),
and the use of Scandinavian embellishments such as the umlaut create a visual iconography throughout the store's signage,
catalogues, and advertisements.
IKEA's
design language refers back to the store's origin story as well. Perhaps the
principle purpose of the brand has always been to make quality products available
at an affordable price. The need to make good design available to the largest
possible audience continues to be the primary motivating force behind IKEA's design team, who borrow heavily
from the bauhaus and modernist aesthetics to produce cost-efficient, "manufactured
within an inch of its life"[5]
home furniture for the everyday consumer. The designers are also challenged
with the task of living up to IKEA's
efficient, economical shipping practices by ensuring each product is collapsible,
and can be flat-packed to be installed at home by the consumer[6]. In
the store, the consumer becomes part of this procedure by selecting items in
the show room, then collecting them in the self-serve department. The inclusion
of the consumer in the warehousing process reinforces the sense of humility and
openness in the store, while involving them in the final steps of distribution
and assembly.
All of these elements of the IKEA language have been carefully developed to create a unique and
memorable shopping experience for the consumer, and it has become the
foundation of the company's success. The corporate language of IKEA has become a vital branding tool,
analogous with social responsibility, ethical manufacturing and labour
practices, community building, and good, cheap furniture named Billy or Skubb - all despite having avoided corporate taxes and take-overs
through a charitable foundation[7],
using forced labour in East Germany[8],
and replacing its Futura typeface with Verdana.
[1] "IKEA History - How It All
Began," accessed November 6th, 2012. http://www.ikea.com/ms/en_CA/about_ikea/the_ikea_way/history/index.html
[2] Lauren Collins, ”House Perfect."
The New Yorker, October 3, 2011.
Accessed November 21, 2012.
http://www.newyorker.com/reporting/2011/10/03/111003fa_fact_collins
[3] Collins, "House Perfect."
[4] "'Fartfull'
Workbench, 'Jerker' Desk: Is IKEA Hiding a Grin?" Chicago Sun-Times, 17
August 2004.
[5] Donald McKay, lecture on furniture
design. October 24th, 2012.
[6] "Ultimate Factories: IKEA,”
National Geographic. Accessed November 3, 2012. Aired August 17, 2012 on CNBC.
http://channel.nationalgeographic.com/channel/ultimate-factories/videos/ikea/
[7] "Flat-Pack
Accounting". The Economist. 2006-05-11. Retrieved November 17, 2012.
[8] Nicholas
Kulish; Julia Werdigier (November 16, 2012). "Ikea Admits Forced Labor Was
Used in 1980s". The New York Times. Retrieved November 17, 2012.
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