The word Fascinate
has become rather generalized through its common usage. In the contemporary
vernacular, to fascinate means to
captivate one's attention, in an intriguing or enchanting way, by some
irresistible influence. When one states that they find a particular fact or
idea fascinating, they infer a
strong interest in it, or that it is particularly captivating and awe-inspiring.
It comes as no surprise that fascinate
is connected with notions of witchcraft, of the entrancing power of serpents,
and (by a remarkable coincidence) in the ability of fascist groups to influence
great masses during the first and second world wars.
The word fascinate
derives from the Latin fascinum, meaning
witchcraft.[1] Throughout the romantic languages,
it is very closely linked to mystical forces of attraction, yet the context of
the word changes in small ways between languages. The French word fasciner[2] is synonymous
with enthrall, hypnotize, spellbind, and enchant. Unlike the English word, fasciner
becomes a symptom of enchantment. This introduces the perception that a person is being taken over by the control of
another's influence. Fasciner recalls the powers of hypnotists and snake
charmers, who exert an inexplicable force over their audiences.
In Italian, the word affascinare is interchangeable with incantare,
simultaneously translating in English to both enchantment and incantation.
Through the Italian evolution of the root word, fascinate has developed
similarly to the French usage, but with a characteristic application
to the influence of lyric or song. For Italians, the fascinating force is not
as undefined as for the French, but is attributed to a verbal influence. The
witches spell and the poet's lyre are equally powerful, entrancing the listener
into submission. Similarly, the Spanish word fascinar refers more to the
seductive powers of love and attraction. Here, as in the English definition,
when one is fascinated, the subject shifts from passive to active. Fascinar
is the influencing powers that urge one's actions, rather than controlling them
by a mystical force. By transition, the Spanish have an almost identical word, fascina,
which means to strongly like something.
In any of
these languages, the word for fascinate derives from the same root, fasces,
meaning "bundle"[3]. In Ancient
Rome, the word fasces referred specifically to "a bundle of rods carried by
the men who attended the magistrate. The rods were used to punish men by
beating them. The fasces were thus a symbol of the magistrate's authority"[4]. The fasces, as
a symbol, represented authority, control, and violent suppression, would later
be used to define the rulers of the Roman Empire, and the word itself would
carry over to the 20th century empirical rule of Benito Mussolini.
The Italian
word Fascismo associated the gathering of fasci to the political grouping of
revolutionaries in the aftermath of the Great War. Benito Mussolini developed a
political platform around the ideas of nationalism, combatantism, and violence,
in a campaign to achieve absolute control over the Italian State[5]. In its symbols,
myths, and rituals, Mussolini drew heavily from the Ancient Roman Empire in
order to manufacture a Fascist cultural history. Mussolini used Rome as an
archetype for the fascist mythology, and he once said that the historic soil of
Rome had "a magical power" [6]. Indeed, once
the myth of Rome was connected to the myth of Mussolini's "New
Italian", he succeeded in fascinating an entire nation into absolute
submission to his totalitarian rule.[7]
[1] "fascinate, v.". OED Online.
September 2012. Oxford University Press.
http://www.oed.com/view/Entry/68362?redirectedFrom=fascinate& (accessed
November 18, 2012).
[2] "fasciner, v.". Concise
Oxford-Hachette French Dictionary, 2009. Oxford University Press. Accessed
through WordReference.
http://www.wordreference.com/fren/fasciner
[3] "fasces, n.". OED Online.
September 2012. Oxford University Press. http://www.oed.com/view/Entry/68337
(accessed November 21, 2012).
[4] Jo-Ann Shelton, As The Romans Did: A Sourcebook in Roman Social History (New York:
Oxford, 1998), 217.
[5] Philip Morgan, Italian Fascism, 1915-1945 (New York: Palgrave MacMillan,
2004), 28
[6]
Emilio Gentile, "Fascism as a Political Religion", Journal of Contemporary History 25
(1990): 245-8
[7] Roberto Vivarelli,
"Interpretations of the Origins of Fascism", The Journal of Modern History, 63 (1991): 30
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