Modern (adj.):
Pertaining to the present and recent time; not ancient or remote. The origin is
Latin- modernus- and the root is modo, meaning ‘just now’. Because Modern is both a common adjective and a historical period, modern
can be thought of with as having two meanings: ‘Modern with a big M’ or ‘modern
with a little m’.
Modern with a little m
is a recent word and came to English from middle French. Despite being
absent from Old English, it was readily present in Middle English nearly in its
current form. The earliest documentation is a 1456 legal document but the most
well-known early writing using the
word “modern” is by Shakespeare.
Ross: Alas,
poor country! … Where violent sorrow seems, A moderne ecstasy (Macbeth. I.iii.70)
To Shakespeare, modern meant ‘common-place’. This meaning of
modern is still in use as in the term
‘modern-day’. But in
contemporary media, modern usually
suggests ‘cutting-edge’ or ‘avant-garde’ rather than ‘commonplace’ and is used to describe nearly anything as
an advertising gimmick. Designs, science, and people are all commonly called
‘modern’ to suggest sophistication and desirability. However, the act of
describing things as modern merely
maps the things as being close to the present in time. No actual timeframe or
characteristics are denoted. Thus, describing anything as modern requires
context and carries no independent meaning without it. Because of the changing
nature of the present and because not all places are equally advanced at the
same time, modernity is far too complex to pinpoint and impossible to present
or observe as a unified state. Modern is merely a colloquial and succinct way of
saying ‘similar to the other stuff you see around you’. Consequently it is difficult to
find “modern” used in academic references.
Modern with a big M is
a historic era and can be labeled ‘Modernism’ rather than ‘modernity’. This sort of Modern is a historical
era. Between about 1850 and 1970, many –isms were experimented with. Technology
grew more central to culture, emphasis was placed on non-traditional practices
such as engineering and nationalism gave way to individualism. Modernism
affected all disciplines from medicine to economics to childcare but is most
visually distinct in modern art where abstraction succeeded realism. By 1940’s,
the Bauhaus school was a conscious manifestation of modernism. Part of its distinct style was the rejection of
ornamentation or reference to past styles. Since the end of the ‘Modern’ era,
return to ornament and reference is referred to as ‘post-modern’ and repetition
of the particular style is referred to as ‘neo-modern’.
Skeat, Walter. "Modern." In Etymological
Dictionary of the English Language. N.p., 1888.
"Modern." In Oxford English Dictionary.
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